Libraries are also not usually associated with comic books,
and certainly not with the digital comics available on the internet that are
known as web comics. Nerds, on the other
hand, often would be – perhaps with the later more than the former. Here at Nerd Up, we’re not making a
distinction between different forms of literature, and they’ll all be found
within The Great Library. It’s not like
we’re in Alexandria, and we certainly hope that the Romans don’t have cause to
burn us down, accident or not.
In this excursion into The Great Library we will be taking a
first look at a science-fiction themed web comic titled String Theory. Written and illustrated by the pseudonymous
Dirk Grundy, String Theory is a character-driven story set in a dystopian
alternate future timeline. The comic was
started in 2009, and features a mostly-weekly release schedule. Since this is an independent project that is
not funded by outside sources, there is no official release timeframe; however,
if one of you billionaire entrepreneurs out there reading this wants to
financially back the project, Mr. Grundy might be willing to negotiate a
release schedule and project budget with you.
The primary focus of the story is Dr. Herville Schtein, a brilliant physicist
with a few personal problems who may or may not be on the path to becoming an
evil super villain. Everybody makes
mistakes sometimes, right? In this
alternate future, the events of the Cuban missile crisis went differently and
history has taken an alternate path for the United States of America.
The story involves quite a few more characters than just Dr.
Schtein, and the narration shifts between various characters in different
settings to show events that are taking place at that point. The story is divided into different chapters
to mark major shifts and developments in the plot, but scene changes are
dictated by story and not by chapter. Through
the first five chapters, we have seen a secret government research facility, a
commercial prison complex, the offices of a government intelligence task force,
a regular residential neighborhood, the offices of a super wealthy business
empire, and flashbacks to the collegiate and childhood worlds of memory of Dr.
Schtein. String Theory makes use of flashbacks
to provide backstory for different characters, and – as with the ongoing story
– the flashbacks might be from the perspective of different characters.
Speaking of flashbacks, it should be noted that String
Theory contains various forms of adult content.
Drug use, false imprisonment, accidental mass murder, intentional mass
murder, intentional personal murder, a slightly cannibalistic serial killer,
futuristic prison Nazis, and bodies being turned inside out by scientific
experiments gone wrong are a few examples of things that you might find. Considering the inclusion of those topics,
though, String Theory is not really an ultraviolent story (at least, not to the
point of time in which this article was written). Still, some people have an aversion to
violence or these types of topics, so consider yourselves forewarned. As Mr. Grundy himself says on the topic,
“Well, the comic’s not for kids anyway. Please don’t read it to your
kids or let your kids read it.”
Even though the story is not completely linear, it would be
a good idea to treat String Theory like you would with any normal book (this is
not a Choose Your Own Adventure book, sorry) – start at the beginning and work
your way forward. It should be noted
that the art style and character design have evolved over time, and it is most
notable when re-reading chapter one after having seen some of the later
material as chapter one is almost entirely drawn in black and white and the
character art is more cartoonish and less realistic than in later
chapters. Mr. Grundy has hinted that he
may re-draw chapter one in the later art style at a future point in time, but
hopefully he leaves the black and white version available as well.
Below is a stunted synopsis of the first five chapters of the
comic. I have attempted to avoid
including any spoilers, but merely seeing the names of characters involved
could be considered a spoiler, so be forewarned.
SPOILER ALERT
Chapter One
introduces us to Dr. Schtein’s research in teleportation and introduces his new
assistant, Dr. Delia Osgood, for whom he begins to develop romantic
feelings. Other characters of note that
are introduced include rival scientist Dr. Benjamin Langstrom, Director Julian Edelmeyer, a mysterious man with some form of
extra-sensory powers, and Dr. Schtein’s pet, a mutant talking cat named Marcus.
Chapter Two
introduces Dr. Langstrom’s sister, Ms. Emily Langstrom, as well as a variety of
individuals in the Nevada State Penitentiary including prison Nazi Drew
Macmanus and his flunky Edgar Krow, an unlikely inmate named Jacob Jacobs,
Professor Phineaus Armastus, wealthy businessman Darius Thanatos, Dr. Schtein’s
old college roommate Laurence Johnson, and Dr. Schtein’s estranged daughter
Alice.
Chapter Three continues
upon Chapter Two, providing further mention of Ms. Eliza Thanatos, revealing
further information on the mysterious man with special powers from Chapter One,
following Dr. Osgood to her new job in which she is placed under her former
lover Professor Eric Degroot, and further explaining Dr. Schtein’s personal
issues after he meets Dr. Leon Auditore, psychologist.
Chapter Four
mostly concerns the details of Dr. Osgood’s new job and what she has been doing
while the events of Chapter Three were taking place. New characters introduced include Dr.
Osgood’s new boss Director Chauncey Fredericks, co-workers Henry Barrett, Gina
Crawford, and James Cain. Also introduced
via flashback are Dr. Schtein’s grandfather, Dr. Orville von Schtein, and Dr.
Schtein’s father, Robert Schtein. Also,
a character that we hadn’t really seen since Chapter One makes a reappearance.
Chapter Five is
rather short compared to the previous chapters, only seven pages long, and
details the interactions of Dr. Schtein with Darius Thanatos that will lead
into the later stages of the story.
END SPOILER ALERT
I personally recommend String Theory to anyone who enjoys
science fiction writing, detailed characters, or involved stories in
general. I haven’t talked about it much,
but the artwork is really wonderful too.
The characters are fluid and give a sense of motion, and the backgrounds
can be wonderfully detailed (or minimalist in some instances) while giving
important information about the setting that is not explicitly stated by any
character’s dialogue. There are also
many little details in the artwork that hint at future story events that you
may not notice upon the first read-through, but might see and understand upon a
later reading. Hopefully, once all is said
and done with the story, it is put into print form and receives the audience
that it deserves.
I do not normally like to read comics because I prefer the
more detailed characters and plots that can be found in novel form. If a story is worth reading and investing my
time in, I want there to be enough of an experience to fully immerse myself in
the alternate reality. Characters need
to have some consistency, but also need to have the ability to adapt and change
as the events of the story take place. A
(somewhat dated) science fiction television show comparison would be the
detailed story arc of Babylon 5 as compared to the episodic,
monster-of-the-week nature of Star Trek: The Next Generation. Both shows have their merits (even if it may
sometimes just be comedic value of the “science” involved), but Babylon 5 had
the better story and more detailed characters by far, even if it may not have
garnered the same number of viewers during both shows’ respective television
runs.
And that explains String Theory. It has a better story and more vibrant
characters than many of its contemporary works, but it may not be as well known
as it should be. Now that you’ve heard
about it, go read it for yourself.
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